Phish.net is a non-commercial project run by Phish fans and for Phish fans under the auspices of the all-volunteer, non-profit Mockingbird Foundation.
This project serves to compile, preserve, and protect encyclopedic information about Phish and their music.
Credits | Terms Of Use | Legal | DMCA
The Mockingbird Foundation is a non-profit organization founded by Phish fans in 1996 to generate charitable proceeds from the Phish community.
And since we're entirely volunteer – with no office, salaries, or paid staff – administrative costs are less than 2% of revenues! So far, we've distributed over $2 million to support music education for children – hundreds of grants in all 50 states, with more on the way.
Review by westbrook
Set 2 opens with an above average Julius which is longer than usual. The follwoing Moma Dance is really good and really funky, as you would expect from a 98 version. Moma Dance also peaks very nicely. Piper doesn't really have a jam, just the long intro, lyrics, and closing coda. I was hoping for this one to be jammed out a la 7/6/98, but it wasn't in the cards. Axilla makes a mid set appearance with the Axilla II style spacey ending, which segues into Bowie. Bowie itself has a long spacey intro and the jam slowly gains intensity and features some nice full-band interplay. Tube comes next, and it's a great version. The jam is initially ambient, but quickly turns into an all-out funk jam. if you're a Tube fan, definitely check this one out. Slave, as always, makes a great closer. Sample in a Jar in the encore slot may leave something to be desired, but it doesn't detract from the quality of the rest of the show.
Highlights of this show- Stash, Reba, Antelope, Moma Dance, Bowie, Tube>Slave.